mrennie wrote:I put the alpha channel into the texture that I use for the diffuse channel, just to reduce the number of files needed - I use the same file (with the alpha channel) for the diffuse slot and for the specular slot. The diffuse slot reads the RGB channels (the image) but ignores the alpha channel, while the specular slot reads the alpha channel and ignores the RGB. I sometimes copy the RGB image into the alpha channel (which automatically makes it into a greyscale picture) because often the light parts of the image tend to be the shinier parts anyway, so doing that is a quick and easy way to enhance the contrast between shiny and dull parts of the texture.
You know Mike, when you're trying to figure out new stuff, it all comes down to how you word your searches in google. I figured out how to do what you said in Gimp and had I done that before, it would have saved me a few hours of work. I was making the shiny windows a separate plane object that I was using as an overlay. Now that I know how to use this spec mask thing, it's all in the photo program! In blender, you only have 4 slots for use with trainbumpspecenv, so I had to put the alpha mask in the diffuse texture, as you said.
Now the concrete texture is duller than a piece of MSTS rolling stock
WFb.jpg